During my loft incarceration 2 Saturdays ago I had a lot of time to ponder new projects, and since I needed to make my ATC for the swap Ali’s running I thought I’d make this upon my release.
I’ve been making teeny geese for another secret project, but although I always profess to hate triangles, I’m glad to say this is all paper pieced :oD The theme was ‘New Beginnings’ and I thought that as this started in spring, and I still have hope that spring will, well, spring soon (it was sleeting here on Monday and Tuesday, SLEETING!!!), I would bring that thought into the card. I found the best ‘springy’ colours I could, including, handily, one with a flower on it, then selected some linen for the background fabric. I free motion stitched the lettering (although I’m not entirely convinced about the ‘Flowers’ let me know your thoughts) and then I hand stitched the flower and the dot for the ‘i’.
I’m now scarily ahead of myself for the month, it’s a bit disconcerting! On the other hand that Ginger Monkey woman’s been leading me astray with whole new unplanned projects, so I’m not exactly sitting about idly ;o)
The Littlest Thistle
100mph bear, clothes, quilt and bag making...
Monday, 20 May 2013
Sunday, 19 May 2013
The First Of The Impulse Projects
Do you ever find you have an urge comes over you, right in the middle of when you’d planned to do something else, to just get something else that’s been hanging around for a while out of the way instead? Last Friday evening after work I’d spent ages clearing stuff out of the way for the incoming window guys, dust sheeting lots of areas, and laying out others to be applied the following morning. I’d then sat down to read through my blog list while I had my dinner, and really was just going to sit for the rest of the night in front of the computer/telly, but then I was suddenly seized with an urge to make the bathmat I’d been thinking about for, oooh, 5 months or so!
This is a fairly simple bathmat and requires just 2 things – 1 hand towel and 1 charm pack (Saltwater in my case).
This is a fairly simple bathmat and requires just 2 things – 1 hand towel and 1 charm pack (Saltwater in my case).
- On Friday night I sewed the charm pack together in a 5 x 8 layout, trying my best to randomly distribute the various colours and patterns.
- On Sunday I threw the towel in the wash, and when it had dried I chopped the thick bound edges off
- Next I placed the pieced top face down on top of the towel, pinned it in place and sewed all the way round, leaving a turning gap.
- I trimmed my corners, turned it right way out and pressed
- Then I stitched all the way round the edge, which served to close the turning gap as well as making it look neat!
- Finally I stitched in the ditch along the charm square seams running across the top to secure it to the towel
Labels:
Bathmat,
Impulse Project
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Saturday, 18 May 2013
Bloggers' Quilt Festival - Giant Indie Star
Hi, and welcome to the site if you're visiting from the Bloggers' Quilt Festival. Since one is allowed to enter twice this year, I thought I'd give my dad's Giant Indie Star an outing again:
I made this for my dad for several reasons: 1) it was his birthday and 2) because I thought the combination of the Indie and the Kona Amber would remind him of the 60th birthday trip he and my mum took to India last year and 3) my mum had a Retro Flowers lap quilt and he needed one too ;o) I think this pattern shows off the large prints very well, although saying 'pattern' I didn't actually follow one, just worked out the largest size of HSTs I could make with the fat quarters I had and went from there.
The back shows the quilting a little better, but basically I straight lined out from the centre in a + and X shape and then echoed inside at varying distances:
Final stats:
Fabric: Indie by Pat Bravo for Art Gallery Fabrics + Kona Amber and Berry
Thread: Pieced and quilted using Aurifil 50wt #2000
Batting: Quilter's Dream 100% cotton
Size: 56" x 56"
Quilting: Straight lines radiating from the centre
Quilted by: Moi
Pattern: Giant star out of my head
I made this for my dad for several reasons: 1) it was his birthday and 2) because I thought the combination of the Indie and the Kona Amber would remind him of the 60th birthday trip he and my mum took to India last year and 3) my mum had a Retro Flowers lap quilt and he needed one too ;o) I think this pattern shows off the large prints very well, although saying 'pattern' I didn't actually follow one, just worked out the largest size of HSTs I could make with the fat quarters I had and went from there.
The back shows the quilting a little better, but basically I straight lined out from the centre in a + and X shape and then echoed inside at varying distances:
Final stats:
Fabric: Indie by Pat Bravo for Art Gallery Fabrics + Kona Amber and Berry
Thread: Pieced and quilted using Aurifil 50wt #2000
Batting: Quilter's Dream 100% cotton
Size: 56" x 56"
Quilting: Straight lines radiating from the centre
Quilted by: Moi
Pattern: Giant star out of my head
Labels:
Giant Stars,
Indie
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Bloggers' Quilt Festival - Madrona Corners
Hi, and if you're visiting from the Bloggers' Quilt Festival, welcome! My long suffering regular readers spent much of the early part of this year watching me bang on about a quilt they'd never clapped eyes on, but which I absolutely swore existed. It had all come to me, you see, in a somewhat fever induced dream sometime between Christmas and New Year. I had a vision, and I wanted to realise it in Madrona Road.
When I started quilting a little over 18 months ago I started with a sew along which was a traditional block pattern. Next I did a sampler quilt, and then I leapt right into Retro Flowers (as you do). The thing is though, I've been realising for the past 6-9 months or so that I'm not really a traditional quilt block kind of girl. I mean, I'll make them for bees, and if I'm trying to demolish layer cakes, but really, my heart lies in improv. This was my starting point:
This quilt was totally improvved, from the cutting of the fabric right up to the end of the quilting! The longest decision was which prints from the pink colourway to fish out to balance the numbers (as there are more in the pink than in the blue colourway for some reason). After that I grabbed the rotary cutter, giant piece of Klona, and my fat quarters and started chopping off strips and adding them round 2 sides of a white rectangle (I started with the top right and bottom left corners).
I'll admit right now that my first try I screwed up - the rectangle was too small as a starting point to allow me to actually get distinguishingly different lengths of prints. I got about 3 strips in before I realised this, and to be honest all was not lost, I just frogged it, cut a larger rectangle, and started again. My only size restriction was that the whole thing couldn't be bigger than 90" square, as that was the maximum entry size allowed in the British Quilt & Stitch Village competition. Oh, did I not mention that? Yeah, I decided for my first carefree quilt, I'd go and stick it in a competition, as encouraged by Katy Jones. What, you don't do that? Probably wise...
Anywho, I decided that the 90" was a challenge rather than a limit, so that's what I aimed for. Then I realised I'd created something so giant I couldn't spread it out anywhere at home, and couldn't really see what I'd made. Excellent. Realising the enormity of the situation though, I concluded that the only way to go would be to long arm quilt it. Slight problem there, I'd never long armed a thing in my life, never even seen a machine in person! Oh well, nothing ventured and all that, I contacted Carole and Brian and arranged to go and play with their machine.
I had some ideas going in on what I wanted to do quilting wise, which meant an all over geometric in the print 'logs' and then a pebble idea in the white. Carole pushed me a bit further to have 2 different coloured threads in the 'logs', and to add some larger cobblestones in on the white. 14 hours later, I was done, and then began the mammoth task of squaring it up on a floor that has a usable area of about 60" x 70". It took me two goes, but brute force and ignorance won out in the end. The binding was a treat after that lot, the hand quilting in the donkey/truck panels and the hanging sleeve were not...
So here's some close-ups anyway:
Eventually it will end up on my bed, once I've removed that blinking hanging sleeve and the paper label from the show!
Final Stats:
Fabric: Madrona Road by Violet Craft for Michael Miller + Klona White
Thread: Pieced using Aurifil 50wt #2000, quilted using Superior King Tut in Sheaves, Chariots Of Fire and Linen, perle cotton in black and pink for the hand quilting
Batting: Quilter's Dream 100% cotton
Size: 88" x 88"
Quilting: All over geometric in the 'logs', cobble sized pebbles in the white, hand quilted in the panels
Quilted by: Me, myself and I
Pattern: Totally out of my head (which you can read any way you like ;o) )
When I started quilting a little over 18 months ago I started with a sew along which was a traditional block pattern. Next I did a sampler quilt, and then I leapt right into Retro Flowers (as you do). The thing is though, I've been realising for the past 6-9 months or so that I'm not really a traditional quilt block kind of girl. I mean, I'll make them for bees, and if I'm trying to demolish layer cakes, but really, my heart lies in improv. This was my starting point:
![]() |
| This photo has appeared so many times in lieu of in progress photos, I think can hear several readers scream right now |
I'll admit right now that my first try I screwed up - the rectangle was too small as a starting point to allow me to actually get distinguishingly different lengths of prints. I got about 3 strips in before I realised this, and to be honest all was not lost, I just frogged it, cut a larger rectangle, and started again. My only size restriction was that the whole thing couldn't be bigger than 90" square, as that was the maximum entry size allowed in the British Quilt & Stitch Village competition. Oh, did I not mention that? Yeah, I decided for my first carefree quilt, I'd go and stick it in a competition, as encouraged by Katy Jones. What, you don't do that? Probably wise...
Anywho, I decided that the 90" was a challenge rather than a limit, so that's what I aimed for. Then I realised I'd created something so giant I couldn't spread it out anywhere at home, and couldn't really see what I'd made. Excellent. Realising the enormity of the situation though, I concluded that the only way to go would be to long arm quilt it. Slight problem there, I'd never long armed a thing in my life, never even seen a machine in person! Oh well, nothing ventured and all that, I contacted Carole and Brian and arranged to go and play with their machine.
I had some ideas going in on what I wanted to do quilting wise, which meant an all over geometric in the print 'logs' and then a pebble idea in the white. Carole pushed me a bit further to have 2 different coloured threads in the 'logs', and to add some larger cobblestones in on the white. 14 hours later, I was done, and then began the mammoth task of squaring it up on a floor that has a usable area of about 60" x 70". It took me two goes, but brute force and ignorance won out in the end. The binding was a treat after that lot, the hand quilting in the donkey/truck panels and the hanging sleeve were not...
So here's some close-ups anyway:
![]() |
| I'm hoping you can see the pebble quilting a bit better here... |
![]() |
| The all over geometric here is a bit easier to see on the back |
![]() |
| That all over geometric on the back, this is in the pink section, oh, and I promise it's not wrinkled, just recently all folded up |
Final Stats:
Fabric: Madrona Road by Violet Craft for Michael Miller + Klona White
Thread: Pieced using Aurifil 50wt #2000, quilted using Superior King Tut in Sheaves, Chariots Of Fire and Linen, perle cotton in black and pink for the hand quilting
Batting: Quilter's Dream 100% cotton
Size: 88" x 88"
Quilting: All over geometric in the 'logs', cobble sized pebbles in the white, hand quilted in the panels
Quilted by: Me, myself and I
Pattern: Totally out of my head (which you can read any way you like ;o) )
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Friday, 17 May 2013
Everything And The Kitchen Sink Sew Along Block 5
Welcome back to the Everything And The Kitchen Sink Sew Along, where this month I'm reviewing a free quilt block tool which someone told me about at the end of last year when I was thinking of doing this sew along. Quilt Assistant is from a Dutch site, and can be downloaded here (the download is at the bottom of the page, don't click the top button!). For those of you who prefer to speak in Dutch or German, you can choose to use it in either of those languages, and when you first go into the program, you can choose to have your measurements in metric or imperial, as well as choosing your seam allowance.
For those of you just sewing along, here is this month's block:
Which you can download here.
For the design-alongers, this is how I did it:
1. Choose a new blank project
2. Decide on the size you want your block to be - I went for 8" square
3. The orange area shows your block size - scrolling your mouse will resize the block up and down
4. I like to work with a grid, so go to Dsiplay -> Grid/Snap Settings to bring up the options
5. I went for the 0.5" option for the grid with a 0.1" snap
6. To start on the hat, I decided where the bottom of the hat will be and drew that in at 1":
7. After experimenting a little, I discovered that this program doesn't like to do partial lines unless it's between two other lines, so I decided how tall I wanted the non-puffy part of the hat to be (3") and drew that across, before adding the two upright parts of the hat:
8. At this point, I came a bit unstuck, because I would normally draw the outline of a block and then work out how to divide the background, but with this program I had to take the fact that it extends every line to the edge. Starting on the left I built up the puffy part:
9. Then I moved to the right:
10. And finally I got the dent down in the middle:
11. I didn't like the position of a couple of my lines around the top at this point - although I wasn't after complete symmetry, I did want it a bit more even, so the next step was to go up to Mode -> Edit to change to edit mode:
12. Now I was able to move things around a little, although beware, if you drag a line with a connection point along it, it will start to pivot at that point, so you will need to move that point independently to keep a straight line - I found my ruler handy at this point to hold up to the screen:
13. After I was happy with that, it was time for a band at the bottom of the hat - (don't forget to switch back to design mode!):
14. I always like to save at this point before trying anything else, but I should say that this program only saves files in its own format, just in case you'd been thinking of saving them easily as something else. You can use a print to PDF writer though, if you want it in that format, and there is also an export function.
15. Finally I went for the 'Name Shapes For Paper Piecing' option:
16. At this point I'd say I disagreed with the program on the numbering, because I knew I could do the top part of the hat in one go, whereas the pattern above changes the lettering for the section with ever colour change, but if you click on them in the order you want to sew them, it will actually renumber things for you. Clicking once adds the next number to the current section, clicking twice starts a new section, so now I have:
17. Now it's time to print. When you first open the print menu you see:
18. You'll need to change to the 'Paper Piecing' tab, where you'll see:
19. I chose to turn off the seam allowances, as I like to sew my pieces together with the paper in place, and that gets in the way, but feel free to leave it if that's how you roll. Make sure your page setup is set to your preferred paper size, then click on 'Quick Preview' to see how it will fit on a sheet:
20. Now print and sew!
For those of you just sewing along, here is this month's block:
Which you can download here.
For the design-alongers, this is how I did it:
1. Choose a new blank project
2. Decide on the size you want your block to be - I went for 8" square
3. The orange area shows your block size - scrolling your mouse will resize the block up and down
4. I like to work with a grid, so go to Dsiplay -> Grid/Snap Settings to bring up the options
5. I went for the 0.5" option for the grid with a 0.1" snap
6. To start on the hat, I decided where the bottom of the hat will be and drew that in at 1":
7. After experimenting a little, I discovered that this program doesn't like to do partial lines unless it's between two other lines, so I decided how tall I wanted the non-puffy part of the hat to be (3") and drew that across, before adding the two upright parts of the hat:
8. At this point, I came a bit unstuck, because I would normally draw the outline of a block and then work out how to divide the background, but with this program I had to take the fact that it extends every line to the edge. Starting on the left I built up the puffy part:
9. Then I moved to the right:
10. And finally I got the dent down in the middle:
11. I didn't like the position of a couple of my lines around the top at this point - although I wasn't after complete symmetry, I did want it a bit more even, so the next step was to go up to Mode -> Edit to change to edit mode:
12. Now I was able to move things around a little, although beware, if you drag a line with a connection point along it, it will start to pivot at that point, so you will need to move that point independently to keep a straight line - I found my ruler handy at this point to hold up to the screen:
13. After I was happy with that, it was time for a band at the bottom of the hat - (don't forget to switch back to design mode!):
14. I always like to save at this point before trying anything else, but I should say that this program only saves files in its own format, just in case you'd been thinking of saving them easily as something else. You can use a print to PDF writer though, if you want it in that format, and there is also an export function.
15. Finally I went for the 'Name Shapes For Paper Piecing' option:
16. At this point I'd say I disagreed with the program on the numbering, because I knew I could do the top part of the hat in one go, whereas the pattern above changes the lettering for the section with ever colour change, but if you click on them in the order you want to sew them, it will actually renumber things for you. Clicking once adds the next number to the current section, clicking twice starts a new section, so now I have:
17. Now it's time to print. When you first open the print menu you see:
18. You'll need to change to the 'Paper Piecing' tab, where you'll see:
19. I chose to turn off the seam allowances, as I like to sew my pieces together with the paper in place, and that gets in the way, but feel free to leave it if that's how you roll. Make sure your page setup is set to your preferred paper size, then click on 'Quick Preview' to see how it will fit on a sheet:
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Thursday, 16 May 2013
Random Thursday
For your delectation this week:
I was reading about grammar this week on the BBC Magazine site – did you know that poor grasp of grammar and spelling can cost you dates via online dating sites? I have to say that erroneous apostrophes drive me up the wall, but I’m less bothered about the less/fewer argument. Maybe there’s scope for a whole new online dating community based around people’s grammatical preferences…
There was a Canadian astronaut touched down at Prestwick International Airport on Tuesday. Should have gone to Specsavers…
What do the phrases ‘Hiking the Appalachian Trail’, ‘Discussing Uganda’, ‘Final user’, ‘Wide stance’, ‘Watching badgers’ and ‘Slipping my moorings’ have in common? Answers on a postcard…
In the last month, I’ve had over 1,500 e-mails to my work address, not counting automatically generated system notifications from the tools I use. In my home e-mail I’ve had a little under 2,000. At 2 minutes to process each e-mail I think that means I’ve spent 4.9 days in the last month just reading e-mails. Assuming I politely replied to each one, and that that also took 2 minutes, I’ve spent 9.8 days in total going squared eyed over e-mails, maybe I need to get out more!
Last Friday I walked out of a meeting at work and glanced out the window, only to see a truly enormous ship moving up the Clyde. How do I know it was enormous? Well between my office and the river is a very large 2 storey shopping centre. The ship dwarfed it o.O Not something you see every day...
Labels:
Random Thursday
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Wednesday, 15 May 2013
Work In Progress Wednesday
So you know how Carl was meant to be getting a new home this week? Well that didn't happen... Instead, I did my Brit Bee blocks, my ATC swap card, got a bath mat done that I'd planned for months and suddenly did on a whim on Friday and Sunday nights, and started on a whole new project that I lie squarely at the feet of the inimitable Mrs Jones, who planted ideas in my head during my loft incarceration on Saturday. I've got about 3 new ideas for things too, for when I get a minute...
Finishes This Week:
Brit Bee blocks for Jo:
ATC swap card - photo to follow with post later this week
Bath mat - photo to follow with post later this week
In Progress This Week:
The new quilt in progress that's all Katy's fault is made up from a layer cake of this + some Kona Snow:
To Be Worked On This Week:
The new quilt, just to get it out of the way.
Carl? He was being a fussy little so and so last week, hence he got relegated to the WIP pile again, so we'll see...
Linking up, as ever, to:
Finishes This Week:
Brit Bee blocks for Jo:
ATC swap card - photo to follow with post later this week
Bath mat - photo to follow with post later this week
The new quilt in progress that's all Katy's fault is made up from a layer cake of this + some Kona Snow:
To Be Worked On This Week:
The new quilt, just to get it out of the way.
Carl? He was being a fussy little so and so last week, hence he got relegated to the WIP pile again, so we'll see...
Linking up, as ever, to:
Labels:
WIP Wednesday
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